What a lesson in humility for the braying critics who have rushed into print since 1945 with their thousands of 'definitive' books, most of them scornful, about this man who so troubled the introspective Dali that forty years later he still felt anguished and uncertain in the presence of his own hallucinatory painting. Apart from Dali, who else has ever tried to present an objective portrayal of this extraordinary man who Dali labeled the most explosive figure in human history?